Phaidon Editiors Vitamin Txt: Words in Contemporary Art Phaidon Press Limited, London, 2024, pp 250-251.

 

Petry, Michael The WORD is Art Thames & Hudson, October 2018, pp 38 & 142-143.

 

Grass, Tino (Ed.) Artistype German/English, Grass Publishers, 2017, pp 114-129.

 

Weng, Xiaoyu & Hou, Hanru (Ed.) Tales of Our Time (exhibition catalogue), English/Chinese, Solomon R Guggenheim Foundation, 2016.

 

Kathleen Bühler, Kunstmuseum Bern, Zentrum Paul Klee, and MAK Wien / Vienna(Ed.) CHINESE WHISPERS. Recent Art from the Sigg and M+ Sigg Collections(exhibition catalogue), German/English, Kunstmuseum Bern, Zentrum Paul Klee, MAK Wien / Vienna, and Prestel Verlag, Munich. London. New York, 2016.

 

Kunstmuseum Thurgau (Ed.) Tsang Kin-Wah: Ecce Homo Trilogy (exhibition catalogue) German/English, Kunstmuseum Thurgau, Verlag für moderne Kunst , 2015.

 

M+, West Kowloon Cultural District (Ed.) Tsang Kin-Wah: The Infinite Nothing,  Hong Kong Participation, 56th Venice Biennale, Venice, Italy (exhibition catalogue), English-Chinese, West Kowloon Cultural District Authority & Hong Kong Arts Development Council, Hong Kong, 2015.

 

M+, West Kowloon Cultural District (Ed.) Tsang Kin-Wah: The Infinite Nothing, Hong Kong Participation, 56th Venice Biennale, Venice, Italy (brochure), English-Italian, West Kowloon Cultural District Authority & Hong Kong Arts Development Council, Hong Kong, 2015.

 

Fondazione La Biennale di Venezia, la Biennale di Venezia, 56th International Art Exhibition, All the World's Future, Participating Countries, Collateral Events (exhibition catalogue), Fondazione La Biennale di Venezia, Italy, May 2015, pp. 268-269.

 

Fondazione La Biennale di Venezia, la Biennale di Venezia, 56th International Art Exhibition, All the World's Future, Participating Countries, Collateral Events (exhibition catalogue, short guide), Fondazione La Biennale di Venezia, Italy, May 2015, p. 368.

 

Park, Sookang & Ju, Eunyoung (ed.) Art Market Hong Kong, AM Compass, South Korea, 2015, p. 214.

 

Livingstone, Marco. (ed.) Post Pop: East Meets West (exhibition catalogue), CentreInvest UK Limited, 2014, pp. 124-125.

 

Goodrow, Gerard A. (ed.) Crossing China - Land of the Rising Art Scene, DAAB MEDIA GMBH, 2014, pp. 306-309.

 

Living Ltd. (ed.) The No Colors: William Lim, Living Collection・Hong Kong, Hatje Cantz Verlag, 2014, pp. 174-183.

 

Wang, Michelle (ed.), Metamorphosis 5 + 5, Digital Art Today: Paris-Shanghai, K11, K11 Art Foundation, 2014, pp. 21-30.

 

Ha Thuc, Caroline, Contemporary Art in Hong Kong, Asia One Books and Nouvelles Editions Scala, 2013, pp. 58-60, 109, 111.

 

Nasser, Abdul (concept), Toong, Euphemia (curated), Type Spaces, Typography in three-dimensional spaces, Basheer Graphic Books, 2013, pp.66-69. 

 

Fong, Stella & Surya, Shirley (ed.), Mobile M+: Yau Ma Tei, M+, West Kowloon Cultural District Authority, 2012, pp. 78-95.

 

Koon, Yeewan, Losing His Religion Mobile M+: Yau Ma Tei, 2012, pp.79-85

 

Akiyoshi Kizuka, Contemporary Art Artist File II, ARTBOX vol.20, ART BOX International INC., 2012, pp. 40-41.

 

Marta, Karen & Tinari, Philip (ed.), The future will be... CHINA Edition, Thoughts on What's to Come Curated by Hans Ulrich Obrist, Pinacoteca Givannie Marella Agnelli (Turin), and the Ullens Center for Contemporary Art (Beijing), 2012, pp. 178-179.

 

Noe, Cordelia & Noe, Christoph (ed.), Hong Kong Artists / 20 Portraits, Verlag für moderne Kunst Nurnberg, 2012, pp. 168-177.

 

Liu, Ding. Lu, Carol Yinghua & Su, Wei (ed.), The 7th Shenzhen Sculpture Biennale - Accidental Message: Art is Not a System, Not a World (exhibition catalogue), LingNan Art Publishing House, 2012, pp. 238-241.

 

Ho, Helen (text), DSL Collection 一個關於中國當代藝術的收藏, DSL Collection, 2012, ISBN 978-2-7466-4012-2, pp. 180-181. 

 

Araki, Natsumi (ed.), MAM Project 015: Tsang Kin-Wah (exhibition catalogue), Mori Art Museum, Tokyo, October 1, 2011.

 

Lomme, Freek (ed.), Onomatopee Research Project 71, "THE VOICE OF..., PUBLIC OPINION-FORMING AS CITIZENSHIP? THE WORD IS THE INDIVIDUAL'S!", Onomatopee, Eindhoven, 2011, pp. 16, 60-65. 

 

Tsai, Chao-Yi (ed.), Huang, Shu-Ping Iris (writer), Medi(t)ation - 2011 Asian Art Biennial (exhibition catalogue), National Taiwan Museum of Fine Arts, Taichung, 2011, pp. 34-39, 230-231. 

 

Anaut, Alberto (ed.), The Power of Doubt (exhibition catalogue), La Fábrica Editorial, 2011, pp. 156-163.

 

Schicktanz, Claudia (ed.), Urban Utopia, Deutsche Bank Collection Hong Kong, Deutsche Bank AG, Frankfurt am Main, 2011, pp. 16-17, 126-127.

 

Elliot, David (ed.), 17th Biennale of Sydney, The Beauty of Distance: Songs of Survival in a Precarious Age (exhibition catalogue), The Biennale of Sydney Ltd. in association with Thames & Hudson, 2010, pp. 244, 319-320.

 

Alemani, Cecilia (ed.), I’m Not There, A Sourcebook for the 8th Gwangju Biennale, Gwangju Biennale Foundation, 2010, pp. 460-463.

 

Nakanishi, Sonoko - Kanai, Miki - Haito, Masahiko – Akai, Azumi (eds.), Aichi Triennale 2010 – Arts and Cities (exhibition catalogue), Aichi Triennale Organizing Committee, 2010, pp. 196-197.

 

He, Jianping (ed.), Small Studios, Page One Publishing Pte Ltd, 2010, pp. 560-565.

 

Raspail, Thierry – Hou, Hanru - Xi, Bei - Gautier, Frédérique - Chopin, Alexandra - Deleage, Anaïs – Janin, Nathalie (eds.), The Spectacle of the Everyday, Xth Beinnale de Lyon (exhibition catalogue), Les Presses du Réel, 2009, pp. 184-186.

 

Urban, Otto M. (ed.), Decadence Now! Visions of Excess (exhibition catalogue), Arbor Vitae Publishers, Revnice, Czech Republic, 2010, pp. 116-121.

Memories of The Future (exhibition catalogue), Leeum, Samsung Museum of Art, 2010, pp. 150-161.

 

Yeung, Mei Lan Bonnie (ed.), Popping Up – Revisiting the Relationship between 2D and 3D (exhibition catalogue), Hong Kong Arts Centre, 2010, pp. 48-53.

 

Akiyoshi Kizuka (ed.), Contemporary ART, ARTBOX vol.8, ART BOX International INC., 2010, pp. 28-29. 

 

TwoPoints.Net (ed.), Left, Right, Up, Down – New Directions in Signage and Wayfinding, Gestalten, Berlin 2010, pp. 236-237.

 

Millier, Arja & Vanhala, Jari-Pekka (eds.), Drawn in the Clouds – Asian Contemporary Art (exhibition catalogue), A Museum of Contemporary Art Publication, 2008, pp. 53-55, 122-129.

 

Nasser, Abdul (concept), Toong, Euphemia (curated), Type Spaces, Typography in three-dimensional spaces Basheer Graphic Books, 2013, pp. 66-69.

Viction:workshop ltd. (ed.), When Space Meets Art/When Art Meets Space, Viction:workshop Limited, 2007, pp. A102-112.

 

Viction:workshop ltd. (ed.), Type Addicted – The New Trend of A to Z Typo-Graphics, Viction:workshop Limited, 2007, pp. 122-123.

 

Viction:workshop ltd. (ed.), Simply Pattern, Viction:workshop Limited, 2007, pp. 246-259.

 

Josep Maria Minguet (ed.), TYPO – The Beautiful World of Fonts, Instituto Monsa de ediciones, S.A, 2007, pp. 70-73.

 

Lei, Vivian (ed.), Graphic X Space, Artpower International Publish Co.,Ltd, pp. 94-99,184-185,202-205. 

 

The Tokyo Type Directors Club (ed.), Tokyo TDC, Vol.18 – The Best in International Typography & Design, The Tokyo Type Directors Club, 2007, pp. 42-43.

 

The State of Things (exhibition catalogue), National Museum of Art, Architecture and Design, 2006, pp. 57-58.

 

Hong Kong Art Biennial 2005 (exhibition catalogue), the Leisure and Cultural Services Department, 2005, pp. 160-163.

 

Hong Kong Art Biennial 2003 (exhibition catalogue), the Leisure and Cultural Services Department, 2003, pp. 196.

 

Hong Kong Art Biennial 2001 (exhibition catalogue), the Leisure and Cultural Services Department, 2001, pp. 64-65, 174-176